Tag: water

  • Lums Pond in Fog 2

    Lums Pond in Fog 2

    Lums Pond in Fog 2 (2012)

    Lums Pond in Fog 2
    Sunday, March 18, 2012
    Fog, 50 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    from the Swamp Forest Trail,
    Lums Pond State Park, Bear, DE

  • Retention Pond 8

    Retention Pond 8

    Retention Pond 8 (2012)

    Retention Pond 8
    Sunday, December 2, 2012
    Fog, 43 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    Amanda Circle at Amanda Drive, Bear, DE

  • Retention Pond 4

    Retention Pond 4

    Retention Pond 4 (2013)

    Retention Pond 4
    Sunday, January 13, 2013
    Fog, 45 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    Wrangle Hill Rd at Oakwood Blvd, Bear, DE

  • Duck Creek in Fog

    Duck Creek in Fog

    Duck Creek in Fog (2013)

    Duck Creek in Fog
    Sunday, January 13, 2013
    Fog, 45 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    Duck Creek from the southbound shoulder of
    South DuPont Highway, Smyrna, DE

  • The Appoquinimink in Fog

    The Appoquinimink in Fog

    The Appoquinimink in Fog (2012)

    The Appoquinimink in Fog
    Sunday, December 2, 2012
    Fog, 43 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    The Appoquinimink River from
    Route 13 Northbound, Odessa, DE

  • Lums Pond in Fog 7

    Lums Pond in Fog 7

    Lums Pond in Fog (2012)

    Lums Pond in Fog 7
    Saturday, March 17, 2012
    Fog, 50 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    from the Swamp Forest Trail,
    Lums Pond State Park, Bear, DE

  • Nine Canada Geese Over Taylor’s Gut

    Nine Canada Geese Over Taylor’s Gut

    Nine Canada Geese Over Taylor's Gut through Fog (2012)

    Nine Canada Geese Over Taylor’s Gut
    Sunday, December 2, 2012
    Fog, 45 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    from a birding platform in
    Woodland Beach Wildlife Area, Smyrna, DE

  • Duck Creek River Marsh

    Duck Creek River Marsh

    Duck Creek River Marsh in Fog (2012)

    Duck Creek River Marsh
    Sunday, January 13, 2013
    Fog, 45 degrees

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired 2009

    from Woodland Beach Road in the marshes of
    Duck Creek River, Smyrna, DE

  • Foggy Morning Polaroid Photos at Lums Pond State Park

    This weekend the fog came in thick both mornings and stayed for hours (today until around 10:30). Wendy was off so I was able to get out with the Polaroid and make some photos in the fog. Now that the barn has been razed, I’m no longer photographing it, and I exhibited some images at Colourworks, I have decided to focus my attention on Lums Pond State Park for the time being. The reasons are many: it is beautiful during all seasons, it has an incredibly diverse ecosystem surrounding the pond, it is 5 minutes away, Wendy has a strong connection with it as she has been kayaking there for many years, and I really enjoy walking Hydan and riding (with Hydan soon) its many paths.

    It’s been a while since I’ve taken out the Polaroid. Now that the Chocolate film is sold out on the Impossible Project web site (something I attribute to this video of a The Decemberists “Down by the Water” which, though I love the song, used 1000s of images) the film is extremely hard to come by and I’m getting stingy with the 30 packs I have left. I used 3 packs this weekend. The first pack (used Saturday) worked great up to image 6 and then mis-pulled and the rest got misaligned. The first pack on Sunday was a concern out of the box. Usually the packs have a nice amount of air in them. This one was as if it has been shrink-wrapped; no air at all. Sure enough, the black cover paper was very hard to pull out and the first tab broke off, as did the second, and third. Rather than fight it, I switched packs. The next pack worked perfectly (as most of them do), and because of my stinginess I passed-up many shots and there are two exposures left.

    The conditions for the photos were essentially the same: morning, foggy, 50 or so degrees, and I developed the film for 55 seconds. They are all unedited. I’m starting to keep the paper attached to the images and on Saturday I had some goop issues. I didn’t have anything to wipe the goop off with. Sunday was much better as I had a paper towel. Still, the moisture in the air resulted in the images taking longer to dry, which let to a few sticking together.

    The first four were made on Saturday, March 17, and the rest Sunday, March 18. You can also see them in my Lums Pond Flickr set. Enjoy!

    These last two images teach me that I can get closer to subjects than the viewfinder suggests. A beauty of photography is that every shoot teaches me something.

  • Afternoon Storm

    Afternoon Storm

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired
    Bear, DE / May 19, 2011

    Polaroid 250 Land Camera
    Expired Polaroid 100 Chocolate Giambarba Peel Apart Film
    Enlarged and printed on
    Hahnemühle William Turner 310 gsm paper
    Float Mount

    Sizes and Pricing

    Limited Signed Edition of 10 Float Mount*
    24″ x 19.5″

    Edition 1 – 4: $425
    Edition 5 – 8: $500
    Edition 9: $625
    Edition 10: Held by the artist

    Unmounted signed 24″ x 19.5″ prints: $100
    Unmounted signed 10″ x 8″ prints: $40

    The only editing done on the photo was dust removal using Photoshop CS5. All colors match the original Polaroid.

    15% of all proceeds will be donated to Preservation Delaware.
    Printing and mounting by Colourworks.

    * Why float mount instead of frame? Float mounts were chosen to showcase an enlarged
    version of the Polaroid image, as if the Polaroid itself was mounted on the wall.
    Float mounts are archival, museum quality, and hang with traditional wall hooks.

    A floated image mounts on the wall beautifully, especially when the image is a Polaroid:

     

  • photographing 2335 mccoy in the rain: one soggy experience

    This has been a week of waiting and disappointments. The weather has predicted thunderstorms with 70-80% chance of precipitation all week. A gift of a week for someone who wants to photograph in the rain. And, yet, every day that Wendy has been home from work (so she can watch Hydan when I go out to photograph), the clouds would roll in, and as I watched them approach Bear, DE, on weather.com a giant hole would form right over Bear. Rain to the north, south, east, and west. Twice I drove out and sat in the back of my Prius, hatch open, back seats down, camera on tripod pointing at the barn at 2335 McCoy when the weather said 100% chance of rain. Maybe a drizzle for 5 minutes. Yesterday when the rain didn’t come I spent an hour or so testing new Impossible Project film.

    So, today, after so much disappointment and curses to the rain gods, I didn’t even think about photographing the barn in the rain. I got up, scanned in my images from yesterday’s shoot, ate breakfast with Wendy, composed a long blog post, ate lunch with Wendy, and then went outside to work on the raised bed garden we’re making. Not 10 minutes in to the gardening and I hear thunder. What a tease, I thought. Then a bit of lightening and some more thunder. I looked at the weather app on my iPhone and lo and behold another storm approaching.

    Because I hadn’t been thinking about it, I wasn’t prepared, so I ran—covered in mud, I must say, from the gardening—to get my cameras, tripods, and film, and hurried over to 2335 McCoy. I parked the car, opened the hatch, and started setting up the cameras. I still had Polaroid 100 Chocolate Giambarba Expired in the 250 Land Camera, which I was planning on using. But where was the other pack? And the Polaroid 644 Twin Giambarba Expired pack? I called Wendy. I left it sitting in the garage. The rain was starting. While she packed Hydan into the car and drove the film over, I took a meter reading and loaded a Holga with 100 speed film and taped it with gaffer’s tape. Wendy arrived with the film just as the rain was getting going. The sky darkened. Wendy left. I took another reading. Damn! I loaded my other Holga with 400 speed film and wrapped it with gaffer’s tape. I set up the travel tripod with the 250 Land Camera, got in the hatch, and waited for the real rains to come. As the rain got heavier I made a few images with the 250 Land Camera and was so frantic to not miss the full storm I forgot that I had one last picture left in the pack when I opened it to load another pack of Chocolate. (I did, however, pause and check to make sure the rollers were clean.) Still heavy rain, but not the real downpour I knew I would need if I were to capture any rain and water running off the roof with the Chocolate film. So, I grabbed the Holga with the 400 film, set it on Cloudy, and rain out into the rain. I must have looked like a maniac to the contractors working on other buildings on the lot. It was my Holga waist level modified by Randy at Holgamods and has a UV filter attached to it, so the filter was getting very wet. I, in just shorts, t-shirt, and baseball cap, was drenched, as well. But, I convinced myself that rubbing my wet shirt on the filter would get enough drops off of it to make a good photo. Midway through, however, winding got very difficult. Then extremely difficult. (I knew something was very wrong and when I opened it later I saw that the film had for some reason rolled at an angle and was crunched and loose on the spool. I hid it in darkness and then wrapped it in aluminum foil. We’ll see how that turns out.) But, when all 12 shots were taken, I got back to the car and a minute later the skies really opened up. I got the 250 Land Camera in front of me, dried it off a bit, and was able to take one photograph before the torrent slowed. And, I tell ya, getting all soggied was well worth it, as the photo captured the rain and water running off the roof—the one thing I really wanted:

    It may be hard to see here, but I just printed a version of the image on 13 x 19 paper and, wow, it looks great. Here are before, during, and after images:

    All my equipment survived intact and none of the film got wet. So, all in all a great experience.

  • Live Oak and Bench Overlooking Big Lake

    Live Oak and Bench Overlooking Big Lake

    Live Oak and Bench Overlooking Big Lake

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/3.2; 1/100; 72mm
    New Orleans, LA / 2008

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Spray

    Spray

    Spray

    Diana F+ with Kodak TMax 120 film
    ISO 400; Sunny; Outdoor
    Langua san Ignacio, Mexico / 2010

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 19″ x 19″ (12″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 12″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.