Author: bill

  • Call for Art & Writing to Commemorate Denim Day & Sexual Assault Awareness Month

    My former student, Rene Youssef, who is now a Client Advocate, Services Empowering Rights of Victims (SERV), at the Center for Family Services in Glassboro, sent me the following email for a very worthy cause that I am more than happy to pass on:

    Center for Family Services is sponsoring The Glasstown Arts District in Millville Third Friday event on April 15, 2011. This event is to commemorate Denim Day and Sexual Assault Awareness Month by bringing recognition to the issues surrounding sexual violence and its victims.

    We would like to invite faculty, students, and community members to help raise awareness by contributing artistic and written works surrounding the issues of sexual violence. Art will be displayed and auctioned off for charity, and written works will be distributed during the event.

    If you’re not aware of what Denim Day is (I wasn’t), from the Center’s Denim Day information sheet (.pdf):

    In 1998, an Italian Supreme Court decision overturned a rape conviction because the victim wore jeans, reasoning she must have helped her attacker remove them. Enraged by the verdict, the women in the Italian Parliament launched into action and protested by wearing jeans to the steps of the Supreme Court. Wearing jeans became an international symbol of protest against erroneous and destructive attitudes about sexual assault. Denim Day was launched in the USA in 1999 in California as a prevention education campaign. Since then, states across the country have joined in this effffort. This year, New Jersey hosts its 2nd annual Denim Day on April 28th.

    Please take a look at the Call For Artists (.pdf) and Call For Writers (.pdf) (Writer’s Submission Form [.doc] — if poetry or other genre, add it next to Fiction or Nonfiction) and I urge you to submit something to support these important causes.

    I don’t think I have any photographs that fall within the guidelines, but I will be submitting the poem, “Cottonmill Lake,” which I wrote ages ago. I was never fully happy with the closing lines, nor was my professor, but I’m happy to have been able to update it this evening and am much more pleased with it.

    Cottonmill Lake

    Venus, below a crescent moon,
    Peeked above a veil of icicled spruce
    And white birch, their shadows veiling
    Sensitive fern and creeper.
    Canada Geese and white swans
    Flew into the shadows
    As we walked through our breath,
    Followed our last-night footsteps
    To a wooden bench
    Damp with windblown snow.

    When we’d walked past weeping willows,
    Their branches trapped in the frozen water,
    You told me about the couch, the ceiling,
    The male baby-sitter. How
    Out your window the moon cradled itself
    Through a clouding sky.

  • Billcliff Large Format Field Camera

    Billcliff Large Format Field Camera

    On Tuesday, March 7, I picked up a new camera: a Billcliff large format wood camera with a Ross Rapid Symmetrical lens and one book-style plate holder that will take two exposures up to 8″ x 10″ in size.

    Billcliff Camera

    I don’t know much about the camera or the lens other than what I have been able to find online in the last few days (update 3/13/11: and through contact with photography historian, Dr. Michael Pritchard, and the curator of Early Photography). Here is what I know. If you know more and/or have corrections, please share with a comment. I’m also sure that I’m not using the correct terms and names of the various parts, so please include those corrections, as well. My ultimate goals are to know the history of this camera and to be able to use it one day (soon).

    Manufacturer
    Joshua Billcliff (1820-1899) of Manchester, England

    Billcliff Maker Label

    Update 3/30/11: Some digging around the Archives and Local Studies section of the Manchester Public Library web site led me to this portrait of Billcliff taken by J.F. Stirling on June 5, 1843 (used with permission):

    Portrait of Joshua Billcliff by J.F. Stirling

    (more…)

  • Winter Solstice Lunar Eclipse

    Winter Solstice Lunar Eclipse

    Like thousands of others, last night I braved the chilly temperatures to photograph the first winter solstice lunar eclipse since 1638 and the last during my lifetime. I recently took an online photography class on night photography with the stunning photographer (and great teacher) Kent Weakley where I learned about photographing the moon, among other things. I was excited to get out there and apply what I’d learned.

    This kind of activity really exposes weaknesses in lenses and though my Panasonic DMC-FZ50 is a good camera, a higher quality DSLR with an exceptional lens would have been wonderful to have last night. Still, I’m quite pleased with how many of the images came out. Here are some of the better ones in a sequence of six (click on the image to get the full resolution):

    The first four images were taken with the Tungsten filter applied. This is what gives the blue-gray tint. The fifth image was shot with the daylight filter and the last image with the Shady setting applied. This enhanced the red glow. I wish I had shot the latter two with Tungsten, as well, but what can you do.

    Here is the sequence again with the image information (click image for full resolution):

    Unfortunately, my photos of the eclipse when it was at its greatest (3:17am) didn’t come out. I wish I had known about Bob Atkins’ excellent discussion of lunar eclipse photography prior to starting to shoot the photos. Mine suffer from f-stops that are either too wide or not wide enough and exposures that are too long.

    Because the night was so clear, however, I did get a chance to take some photos of the starts, especially Orion, which I have long loved to gaze at. (Ironically, back in college I wrote a poem that included a lunar eclipse and “Orion’s belt pointed at the shadowed moon.” If I can find it I’ll post some lines that relate.) Here are a couple:

    Orion and the Little Dipper
    Panasonic DMC-FZ50
    Tiffen 55mm UV Filter, Shady Setting
    ISO 200; F/2.8; 25 seconds; 7.4mm

    Orion and the Little Dipper in Tungsten
    Panasonic DMC-FZ50
    Tiffen 55mm UV Filter, Tungsten Setting
    ISO 200; F/2.8; 30 seconds; 7.4mm

    All in all, a fun evening on the back deck. Totally worth staying up until 4:00am.

  • December 2010 Lunar Eclipse Sequence

    December 2010 Lunar Eclipse Sequence

    December 2010 Lunar Eclipse Sequence
    Panasonic DMC-FZ50
    (click photo for larger image)

    December 2010 Lunar Eclipse Sequence with Image Info
    Panasonic DMC-FZ50
    (click photo for larger image)

  • Decaying Barn

    Decaying Barn

    Decaying Barn

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/5.6; 1/400; 35mm
    Bear, DE / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $250 + shipping
    Unframed: $100 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Live Oak and Bench Overlooking Big Lake

    Live Oak and Bench Overlooking Big Lake

    Live Oak and Bench Overlooking Big Lake

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/3.2; 1/100; 72mm
    New Orleans, LA / 2008

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Giraffes

    Giraffes

    Giraffes

    Holga 120S with Ilford Delta 120 film
    ISO 400; Sunny; Many People
    San Diego, CA / 2005

    Pricing

    Framed Limited Signed Edition (one of twenty): $250 + shipping
    Unframed: $100 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 19″ x 19″ (12″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 12″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Cherry Trunk

    Cherry Trunk

    Cherry Trunk

    Holga 120S Modified with Waist-level Viewfinder with Fuji ProH 120 film
    ISO 400; Sunny; One Person
    Wilmington, DE / 2010

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 19″ x 19″ (12″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 12″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Wigs

    Wigs

    Wigs

    Holga 120S with Fuji Pro H 120 film
    ISO 400; Sunny; One Person
    Louisville, KY / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 19″ x 19″ (12″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 12″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Cafe du Monde

    Cafe du Monde

    Cafe du Monde

    Holga 120S with Kodak TX 120 film
    ISO 400; Cloudy; Three People
    New Orleans, LA / 2008

    Pricing

    Framed Limited Signed Edition (one of twenty): $250 + shipping
    Unframed: $100 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 19″ x 19″ (12″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 12″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Hold Still, Keep Going

    Hold Still, Keep Going

    Hold Still, Keep Going

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/3.2; 1/100; 75mm
    New Orleans, LA / 2008

    Pricing

    Framed Limited Signed Edition (one of twenty): $175 + shipping
    Unframed: $75 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Roller Land

    Roller Land

    Roller Land

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/5.6; 1/250; 59mm
    Dover-Foxcroft, ME / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $175 + shipping
    Unframed: $75 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 25″ x 17″ (18″ x 9″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 18″ x 9″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Red Garage

    Red Garage

    Red Garage

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/4; 1/125; 103mm
    Sebec, ME / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $175 + shipping
    Unframed: $75 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 25″ x 17″ (18″ x 9″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 18″ x 9″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Night, Winter, Wenonah Train Station

    Night, Winter, Wenonah Train Station

    Night, Winter, Wenonah Train Station

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 400; F/2.8; 1 second; 35mm
    Wenonah, NJ / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $250 + shipping
    Unframed: $100 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • White Door with Shrub

    White Door with Shrub

    White Door with Shrub

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/3.2; 1/125; 52mm
    East Windsor, NJ / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $250 + shipping
    Unframed: $100 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.

  • Green Wall with White Windows

    Green Wall with White Windows

    Green Wall with White Windows

    Panasonic DMC-FZ50 with Tiffen 55mm UV Filter
    ISO 100; F/3.6; 1/125; 59mm
    East Windsor, NJ / 2009

    Pricing

    Framed Limited Signed Edition (one of twenty): $200 + shipping
    Unframed: $85 + shipping

    All giclée fine art prints are on Hahnemühle FineArt smooth paper.
    Framed prints are 23″ x 19″ (16″ x 12″ print, 3″ four-ply archival white matte, and 1″ black wooden frame).
    Unframed prints are 16″ x 12″.
    15% of all sales will be donated to The National Trust for Historic Preservation.
    Printing and framing by Colourworks.