Bill Wolff Photography

Tag: sky

  • Branching

    Branching

    Polaroid 250 Land Camera
    Polaroid 100 Chocolate Giambarba Expired
    Bear, DE / March 16, 2011

    Polaroid 250 Land Camera
    Expired Polaroid 100 Chocolate Giambarba Peel Apart Film
    Enlarged and printed on
    Hahnemühle William Turner 310 gsm paper
    Float Mount

    Sizes and Pricing

    Limited Signed Edition of 10 Float Mount*
    24″ x 19.5″

    Edition 1 – 4: $425
    Edition 5 – 8: $500
    Edition 9: $625
    Edition 10: Held by the artist

    Unmounted signed 24″ x 19.5″ prints: $100
    Unmounted signed 10″ x 8″ prints: $40

    The only editing done on the photo was dust removal using Photoshop CS5. All colors match the original Polaroid.

    15% of all sales will be donated to Preservation Delaware.
    Printing and mounting by Colourworks.

    * Why float mount instead of frame? Float mounts were chosen to showcase an enlarged
    version of the Polaroid image, as if the Polaroid itself was mounted on the wall.
    Float mounts are archival, museum quality, and hang with traditional wall hooks.

    A floated image mounts on the wall beautifully, especially when the image is a Polaroid:

     

  • Winter Solstice Lunar Eclipse

    Winter Solstice Lunar Eclipse

    Like thousands of others, last night I braved the chilly temperatures to photograph the first winter solstice lunar eclipse since 1638 and the last during my lifetime. I recently took an online photography class on night photography with the stunning photographer (and great teacher) Kent Weakley where I learned about photographing the moon, among other things. I was excited to get out there and apply what I’d learned.

    This kind of activity really exposes weaknesses in lenses and though my Panasonic DMC-FZ50 is a good camera, a higher quality DSLR with an exceptional lens would have been wonderful to have last night. Still, I’m quite pleased with how many of the images came out. Here are some of the better ones in a sequence of six (click on the image to get the full resolution):

    The first four images were taken with the Tungsten filter applied. This is what gives the blue-gray tint. The fifth image was shot with the daylight filter and the last image with the Shady setting applied. This enhanced the red glow. I wish I had shot the latter two with Tungsten, as well, but what can you do.

    Here is the sequence again with the image information (click image for full resolution):

    Unfortunately, my photos of the eclipse when it was at its greatest (3:17am) didn’t come out. I wish I had known about Bob Atkins’ excellent discussion of lunar eclipse photography prior to starting to shoot the photos. Mine suffer from f-stops that are either too wide or not wide enough and exposures that are too long.

    Because the night was so clear, however, I did get a chance to take some photos of the starts, especially Orion, which I have long loved to gaze at. (Ironically, back in college I wrote a poem that included a lunar eclipse and “Orion’s belt pointed at the shadowed moon.” If I can find it I’ll post some lines that relate.) Here are a couple:

    Orion and the Little Dipper
    Panasonic DMC-FZ50
    Tiffen 55mm UV Filter, Shady Setting
    ISO 200; F/2.8; 25 seconds; 7.4mm

    Orion and the Little Dipper in Tungsten
    Panasonic DMC-FZ50
    Tiffen 55mm UV Filter, Tungsten Setting
    ISO 200; F/2.8; 30 seconds; 7.4mm

    All in all, a fun evening on the back deck. Totally worth staying up until 4:00am.